Tunnel Tunnel is pleased to invite you to the opening of the group show ‘Futur à gogo’ with Caroline Bischoff, Réda Boussella, Anouk Chambaz and Imranepresents on Thursday, November 5, 2026, at 6 PM.

Curation by Mélody Lu

‘ When I lived in Paris, I spent a good part of my time at the Public Library of Information at the Centre Pompidou (BPI) probably one of the only places in Paris open to everyone without discrimination, where you can check your email, sleep in armchairs, charge your phone, watch obscure videos, or look up every book ever written about X artists from a given era.

I never wrote down the reference, but I clearly remember reading a biography of Osamu Tezuka there: it explained just how much of a visionary he was and that he had drawn highway interchanges, like the ones you see in the United States, even before they were actually built.

Hyperstition is a neologism attributed to the research group Cybernetic Culture Research Unit (CCRU): hyperstition is a fictional belief or idea that, by repeating or spreading, ultimately influences reality. It is a productive fiction capable of shaping—as you’ll have gathered—the course of history.

In Octavia E. Butler’s The Parable of the Sower, she imagines a world where people must gather in communities and barricade themselves behind high walls to protect themselves from the surrounding violence and madness, and where wage slavery becomes the norm (to summarize very briefly). I had the sudden impression, once again, that what she was describing was dangerously close to our current times. In the South Park episode “Where Has My Country Gone,” released ten years ago in 2015, Garrison-Trump was already launching an absurd campaign to prevent Canadians from immigrating to the United States, even going so far as to build a wall separating the two countries, and so on.

More and more theoreticians are talking about the struggle for the future, or the need to set about rewriting new, productive narratives to regain control over our future.’

Mélody Lu

Caroline Bischoff is a multidisciplinary artist based between Lausanne and Basel. She works with video, sculpture, drawing, and writing, and is currently pursuing a master’s degree at the Institut Art Gender Nature. In her practice, she reclaims, creates, and transforms a multitude of images, objects, symbols, and narratives to compose alternative realities. Deflated daisies, black pants turning into cats, and emaciated doppelgängers inhabit colorful landscapes, where clue hunts unfold, activate, and reveal possibilities.

Réda Boussella is an artist whose preferred mediums are painting, drawing, performance, and writing. Through an aesthetic composed of cartoons, gags, punchlines, and traps, he engages with subaltern iconographic practices and the relics of Orientalism. In his exhibitions, you’ll find yourself wandering through a factory locker room, an Orientalist carousel, or a seaside resort—places where images are printed on towels, stuck to lockers, or flash by at full speed inside a black box.

Anouk Chambaz works with moving images, exploring the tensions between places, their inhabitants, and their desires. She studied cinema at ECAL (Lausanne Cantonal School of Art) and philosophy at La Sapienza University in Rome. She also works as an assistant in the film department at ECAL and selects experimental short films for the Lausanne Underground Film & Music Festival. She co-founded Rasoir Bouée, an association dedicated to experimenting with film and sound.

Imranerepresents is the pseudonym of Imrane, an online presence whose work takes the form of photography, video, and editorial content. His raw materials include autofiction, entertainment, the parasocial, speculative storytelling, audience expectations, sometimes words, often himself. Staging the Self—Entertainment—Influence—it is precisely this blurring of lines, specific to both the historical and economic contexts, between public figure and influencer that brings his approach to life. In 2026, he founded the magazine POV:FRENCHCULTURE, publish by Tumulte.